A portrait of the Swedish director Roy Andersson, dealing with obsessions of the film maker considered as the origins of his last incredible project : Songs from the Second Floor. 20 years of reflection and creation, 4 years to shoot a masterpiece with a unique way of filming. A meeting with the Nordic Kubrick, rebel with a cause : responsibility and humanity.
罗伊安德森大餐配菜 配的好 让人对主菜还有所回味
history will haunt us
正片后的making-of。作了笔记:一个叫伯格曼的老师对安德森说:不要陷于拍政治电影的泥潭,所以他们俩是有一点传承的关系的;“我不是想还原生活,我是想重构生活”;本来是父子的故事,最后找不到演员才发现让儿子沉默更有力量;他拍片如绘画,滚雪球般堆积的创意想法。bjiff #32(cont'd)
有点抑郁却让你看后能够有种放松一切的感觉
居然拍了这么多遍是得多么偏执狂。对了忘了说上一部电影看着看着竟然让我感受到死亡的恐怖心跳漏了半拍,看来这种感觉不是偶然……
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